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Amination process by Elbert C. Herrick

By Elbert C. Herrick

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You can break a civil law but you cannot break a spiritual law. You have to be careful of your thoughts. Once you start one of the spiritual or mental laws working, all sorts of things begin happening behind the scenes to implement its fulfillment. So if you want to be able to draw well, start a sketchbook and get a good law working for you. indd 36 Drawn to Life 3/5/2009 9:45:55 AM Walt Stanchfield 24 37 Simplicity for the Sake of Clarity Ian Steele, our Tuesday night model, said a very significant thing to me after the session.

This causes the bottom lids of the eyes to raise up over the bottom part of the eyeball, causing the eye to appear to squash. All this cheek flesh raising up clashes with the temple flesh which doesn’t want to go anywhere because it is less fleshy and is attached to something more solid. The result is a set of tiny wrinkles next to the eyes on the temple. Even the ears and sideburns react, even the neck and collar, and to an infinitesimal degree, the cloth on the upper chest. To carry the point this far in animation may prove to be impractical, but it was mentioned for observation’s sake and to emphasize the fact that nothing moves independently in full animation.

Where are you going to get all this energy, you ask? Realize that the human body is like a dynamo, it is an energy-producing machine. The more you use up its energy, the more it produces. A work-related pastime like sketching is a positive activity. It is an activation. Inactivity, especially in your chosen field; is a negative. Negativity is heavy, cumbersome, debilitating, unproductive, and totally to be avoided. Take a positive step today. Buy a sketchbook and a pen (more permanent than pencil) and make a little rectangle on the page and fill it with a simple composition.

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