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Additional info for 2DArtist Issue 061 January 2011 issue 61
Having those irregularities start to really refine some areas. 16d). hair that’s obscuring part of her face, as well as the small braid. I’m still using a speckled brush Happy with the hair, I go back to the face for a at this point, with settings as before, but a much few last touch ups. I feel the lips need a bit more smaller size, as well as another custom rough work, so I set about detailing them with a small edged brush with Size, Opacity and Flow Jitter Round brush, with Size Jitter and Opacity set set to Pen Pressure, and Angle Jitter at 25%.
At this point I can already reduce the you get it right. 05). 06a – 06b). com page 53 Issue 061 January 2011 Chapter 03: Female Portraiture Having pulled the face off the canvas a little brush (my favorite rectangular one) adds instant depending on what gives me the best results. 07). As I want to see what the whole image would in the background. More often than not with look like if adjusted, I duplicate and flatten it, portraits, they don’t need elaborate background Before I continue refining the details of the then do some test adjustments.
The easiest way to go about doing that is using a speckled brush with Opacity and Flow set to Pen Pressure, and Size Jitter switched off. 16a). 16b). The I just keep at it, working on finer and finer Once that is done, I can look at the skin texture. layers get merged quite frequently and new sections of the area I selected to refine, This is the really fun part, because the effect ones added, but that’s just how I work. If you while the other parts of the hair get less you can achieve with some simple texturing prefer to keep all the layers separate, that’s fine attention, though I am still working on them is amazing.